Copyright © Philip M. Parker, INSEAD. Terms of Use.
| Domain | Definition |
Occupations | Schedules and coordinates flow of work within or between departments of manufacturing plant to expedite production: Reviews master production schedule and work orders, establishes priorities for specific customer orders, and revises schedule according to work order specifications, established priorities, and availability or capability of workers, parts, material, machines, and equipment. Reschedules identical processes to eliminate duplicate machine setups. Distributes work orders to departments, denoting number, type, and proposed completion date of units to be produced. Confers with department supervisors to determine progress of work and to provide information on changes in processing methods received from methods or engineering departments. Compiles reports concerning progress of work and downtime due to failures of machines and equipment to apprise production planning personnel of production delays. Maintains inventory of materials and parts needed to complete production. May expedite material [MATERIAL COORDINATOR (clerical) 221.167-014]. May expedite production of spare parts and establish delivery dates for spare parts orders and be designated Spares Scheduler (clerical). May coordinate and expedite work in automobile repair and service establishment from control tower, using public address system, and be designated Work Coordinator, Tower Control (automotive ser.). May use computer system to track and locate production units. (references) |
| Performs any combination of following or similar duties as directed by DIRECTOR, PROGRAM (radio-tv broad.) 184.167-030 or PRODUCER (radio-tv broad.) 159.117-010 in rehearsal and broadcast of television programs: Distributes copies of script and arranges for rehearsal quarters. Prepares and distributes rehearsal call sheets. Lays out acting areas on stage floor, using tape and following floor plan. Times scenes during rehearsal and calculates overall program timing. Contacts guest and members of cast to verify that makeup has been applied. Verifies that specified films, slides, titles cards, and similar items are ready for broadcast. Directs personnel in rehearsal and broadcast of sign-ons and sign-offs, station breaks, film feature programs, and other programs composed of non-live video elements. Notifies various departments of changes in daily operation schedules. Oversees distribution of studio equipment, such as scenery, cameras, and microphones. Transmits instructions received over telephone headset to performers and others on set, orally or using body gestures. Prepares report of daily on-air activities. May direct production of sound effects. May prepare rehearsal call sheets, reports, daily on-air activity report, memos, or scripts, using computer. (references) | |
Source: compiled by the editor from various references; see credits. | |
| The following statistics estimate the number of searches per day across the major English-language search engines as identified by various trade publications. Hyperlinks lead to commercial use of the expression at Amazon.com. |
| Expression | Frequency per Day |
production coordinator | 13 |
| Source: compiled by the editor from various references; see credits. | |
Hexadecimal (or equivalents, 770AD-1900s) (references)50 52 4F 44 55 43 54 49 4F 4E 43 4F 4F 52 44 49 4E 41 54 4F 52 |
| Leonardo da Vinci (1452-1519; backwards) (references)
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Binary Code (1918-1938, probably earlier) (references)01010000 01010010 01001111 01000100 01010101 01000011 01010100 01001001 01001111 01001110 00100000 01000011 01001111 01001111 01010010 01000100 01001001 01001110 01000001 01010100 01001111 01010010 |
HTML Code (1990) (references)P R O D U C T I O N   C O O R D I N A T O R |
ISO 10646 (1991-1993) (references)0050 0052 004F 0044 0055 0043 0054 0049 004F 004E 0043 004F 004F 0052 0044 0049 004E 0041 0054 004F 0052 |
Encryption (beginner's substitution cypher): (references)5052493855375443494823749495238434835544952 |
| 1. Expressions: Internet 2. Orthography 3. Bibliography |
Copyright © Philip M. Parker, INSEAD. Terms of Use.
