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Major Scale

Definition: Major Scale

Major Scale

Noun

1. A diatonic scale with notes separated by whole tones except for the 3rd and 4th and 7th and 8th.

Source: WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved.
 


Synonym: Major Scale

Synonym: major diatonic scale (n). (additional references)

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Specialty Definition: Major scale

(From Wikipedia, the free Encyclopedia)

In music theory, the major scale is one of the diatonic scales. It is made up of eight notes, divided into two groups of four, the tetrachords. The pattern of steps in each tetrachord is, in ascending order:

tone, tone, semitone, tone

The major scale (and most other western scales) has eight notes - an octave. At the piano keyboard, the simplest major scale is C major (see figure 1). It is unique in that it is the only major scale to use only the white notes, and therefore no sharps or flats on the musical staff.


Figure 1. The C major scale

When writing out major (and minor scales), every line and space on the stave has to be filled, and no note can have more than one accidental. This has the effect of forcing the key signature to feature just sharps or just flats; ordinary major scales never include both.

Constructing major scales

Analyzing scales with sharps

Scales and key signatures are closely linked in music. It is necessary to construct a key signature - consisting of a number of sharps or flats - in order to know which notes a particular major scale will have. An easy, but time consuming, way to do this would be to use the pattern of tone/tone/semitone/etc... given above. If we choose to write the scale of D-major, we know immediately that the scale begins on a D. The next note will be a tone above - an E. The note after that will also be a tone above, however it is not simply an F as would seem obvious. Because the difference between an E and an F is actually a semitone (look on a piano keyboard, there is no 'black note' in-between them) it is necessary to raise the F to become an F-sharp to achieve a difference of a whole tone.

This could be followed to create a whole scale, with all the sharps (or with a different scale, flats) put correctly in. However a cleverer way of constructing scales arises from analysing patterns in the whole series of major scales. Starting on the scale of C-major, there exists no sharps or flats. If you start a new scale on the 5th of C-major - G-major - you will find one sharp, augmenting the F. Starting the scale on the 5th of G major (a D) it will be necessary to put 2 sharps in - an F-sharp and a C-sharp. Writing this pattern out for all the scales looks like this:

C  maj - 0 sharps
G  maj - 1 sharp  - F# (meaning F-sharp)
D  maj - 2 sharps - F#, C#
A  maj - 3 sharps - F#, C#, G#
E  maj - 4 sharps - F#, C#, G#, D#
B  maj - 5 sharps - F#, C#, G#, D#, A#
F# maj - 6 sharps - F#, C#, G#, D#, A#, E#
C# maj - 7 sharps - F#, C#, G#, D#, A#, E#, B#

In this table it can be seen that for each new scale (starting on the fifth of the previous scale) it is necessary to add a new sharp. The order of sharps which need to be added follows: F#, C#, G#, D#, A#, E#, B#. This pattern of the sharps can be easily remembered through the use of the mnemonic:

  F       C      G    D   A   E     B
Father Charles Goes Down And Ends Battle

Looking closer, the last accidental added matches the tonic (first note) of the scale two-fifths before it (in this table, two lines up.) A useful rule for use in recognising major scales with sharps is that the tonic is also always one note above the last sharp.

Analysing major scales with flats

A similar table can be constructed for major scales with flats in them. In this case each new scale starts on the 5th below the previous one:

C  maj - 0 flats
F  maj - 1 flat  - Bb (meaning B-flat)
Bb maj - 2 flats - Bb Eb
Eb maj - 3 flats - Bb Eb Ab
Ab maj - 4 flats - Bb Eb Ab Db
Db maj - 5 flats - Bb Eb Ab Db Gb
Gb maj - 6 flats - Bb Eb Ab Db Gb Cb
Cb maj - 7 flats - Bb Eb Ab Db Gb Cb Fb

Here, a similar pattern can be recognised, each new scale keeps all the flats of the previous scale but adds a new one following the sequence: Bb, Eb, Ab, Db, Gb, Cb, Fb. Interestingly this is the direct inverse of the pattern of sharps given above. Luckily (!) the mnemonic can now be reversed to form the sentence:

   B    E    A   D    G      C       F
Battle Ends And Down Goes Charles' Father.

Again there is a similar, but reversed, relationship between tonics and accidentals. The tonic matches the second to last flat added on.

The circle of fifths

The information gathered from analysing scales can be used in constructing the circle of fifths:

This is a useful way of finding key signatures of major scales. Starting clockwise from the top C each new letter represents a new scale, a fifth above the one before it. This means that each new scale (clockwise) requires an extra sharp to be added to its key signature. The exact sharps to be added are found by reading off the letters starting from the F (to the left of the C.) For example, if we needed to know how many, and which, sharps a scale of E major requires, we note that E is at position 4 - it requires 4 sharps. These sharps are (reading off from F): F#, C#, G#, D#. If you were faced with a key signature of 5 sharps, you would count off 5 from the top to arrive at B - it is the scale of B major.


Fig 2. The B-major scale

Similarly, key signatures with flats can be created. Each new letter starting from F represents a new scale, and the position of the letter indicates how many flats it has. The actual flats are read anticlockwise from the Bb on position 2. Ab is on position 2, so it has 2 flats: Bb and Eb.

Source: adapted by the editor from Wikipedia, the free encyclopedia under a copyleft GNU Free Documentation License (GFDL) from the article "Major scale."

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Crosswords: Major Scale

English words defined with "major scale": do, dohLeading noteMIray, ReUT. (references)

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Commercial Usage: Major Scale

DomainTitle

Books

  • Adventures in Violinland Bk. 3b: Stretching the Major Scale (reference)

  • Meditations on a D major scale (reference)

    (more book examples)

Source: compiled by the editor from various references; see credits.

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Frequency of Internet Keywords: Major Scale

The following statistics estimate the number of searches per day across the major English-language search engines as identified by various trade publications. Hyperlinks lead to commercial use of the expression at Amazon.com.
 
ExpressionFrequency
per Day

major scale

56

clarinet major scale

4

f major scale

4
Source: compiled by the editor from various references; see credits.

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Modern Translation: Major Scale

Language Translations for "major scale"; alternative meanings/domain in parentheses.

Hungarian

  

dúr skála. (various references)

   

Japanese Kanji 

  

長音階 . (various references)

   

Japanese Katakana 

  

ちょうお"かい. (various references)

   

Pig Latin

  

ajormay alescay

   

Thai

  

ระ"ับเสียงหลัก (ทาง"นตรี). (various references)

Source: compiled by the editor from various translation references.

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Ancestral Language Translations: Major Scale

LanguagePeriodTranslations
Latin500 BCE-Modern

Eulecanium persicae, Eulecanium robiniarum, Lecanium persicae, Lecanium robiniarum. (various references)

Source: compiled by the editor from various references.

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Anagrams: Major Scale

Scrabble® Enable2K-Verified Anagrams

Words within the letters "a-a-c-e-j-l-m-o-r-s"

-2 letters: acerolas, cajolers, caramels, ceramals, scleroma.

-3 letters: acerola, areolas, caeomas, cajoler, cajoles, cameral, cameras, caramel, ceramal, clamors, claroes, coalers, cormels, escolar, jacales, marcels, morales, oracles, recoals, sarcoma, scalare, solacer.

-4 letters: alamos, alarms, amoles, amoral, arecas, areola, aromas, caeoma, caesar, cajole, calesa, calmer, camels, cameos, camera, carles, carols, caroms, celoms, ceorls, clamor, claros, clears, closer.

Source: compiled by the editor from various references; see credits.

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INDEX

1. Definition
2. Synonyms
3. Crosswords
4. Usage: Commercial
5. Expressions: Internet
6. Translations: Modern
7. Translations: Ancient
8. Anagrams
9. Bibliography


  

Copyright © Philip M. Parker, INSEAD. Terms of Use.