Copyright © Philip M. Parker, INSEAD. Terms of Use.
Definition: SOUNDING POST |
SOUNDING POST1. (Mus.), a small post in a violin, violoncello, or similar instrument, set under the bridge as a support, for propagating the sounds to the body of the instrument; -- called also sound post . |
Crosswords: SOUNDING POST |
| Specialty definitions using "SOUNDING POST": VIOLIN MAKER, HAND. (references) |
Scrabble® Enable2K-Verified Anagrams | |
| Words within the letters "d-g-i-n-n-o-o-p-s-s-t-u" | |
-3 letters: gunpoints, soundings, stounding, uptossing. | |
-4 letters: gunpoint, nonsuits, opsonins, outdoing, outsings, postings, pounding, signpost, snooding, snooping, snooting, snouting, sounding, spinouts, spongins, sponsion, spooning, spousing, spouting, stooping, undoings. | |
-5 letters: disgust, dossing, dousing, dunting, dusting, godsons, guidons, isogons, isopods, nonstop, nonsuit, noosing, nosings, notions, nudists, opsonin, options, ousting, outings, outsing, outsins, pignuts, pigouts, pistons, poisons, ponding. | |
| Source: compiled by the editor from various references; see credits. SCRABBLE® is a registered trademark. All intellectual property rights in and to the game are owned in the U.S.A and Canada by Hasbro Inc., and throughout the rest of the world by J.W. Spear & Sons Limited of Maidenhead, Berkshire, England, a subsidiary of Mattel Inc. Mattel and Spear are not affiliated with Hasbro. | |
Hexadecimal (or equivalents, 770AD-1900s) (references)53 4F 55 4E 44 49 4E 47 50 4F 53 54 |
| Leonardo da Vinci (1452-1519; backwards) (references)
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Binary Code (1918-1938, probably earlier) (references)01010011 01001111 01010101 01001110 01000100 01001001 01001110 01000111 00100000 01010000 01001111 01010011 01010100 |
HTML Code (1990) (references)S O U N D I N G   P O S T |
ISO 10646 (1991-1993) (references)0053 004F 0055 004E 0044 0049 004E 0047 0050 004F 0053 0054 |
Encryption (beginner's substitution cypher): (references)5349554838434841250495354 |
| 1. Definition 2. Crosswords 3. Anagrams 4. Orthography | 5. Bibliography |
Copyright © Philip M. Parker, INSEAD. Terms of Use.
