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"COMPOSITIONS" is a plural of: composition. |
Date "COMPOSITIONS" was first used in popular English literature: sometime before 1258. (references) |
(From Wikipedia, the free Encyclopedia)
Category theory is a mathematical theory that deals in an abstract way with mathematical structures and relationships between them. It is half-jokingly known as "abstract nonsense".
See list of category theory topics for a breakdown of Wikipedia pages.
As a matter of history, the category concept was introduced in algebraic topology, as an important part of the transition from homology (an intuitive and geometric concept) to homology theory, an axiomatic approach. It has been claimed, for example by or on behalf of Ulam, that comparable ideas were current in the later 1930s in the Polish school.
The subsequent development of the theory was powered first by the computational needs of homological algebra; and then the axiomatic needs of algebraic geometry, the field most resistant to the Russell-Whitehead view of united foundations. General theory - an updated universal algebra with many new features allowing for semantic flexibility and higher-order logic - came later.
Broadly-based foundational applications of category theory are contentious; but they have been worked out in quite some detail, as a commentary on or basis for constructive mathematics. One can say, in particular, that axiomatic set theory still hasn't been replaced by the category-theoretic commentary on it, in the everyday usage of mathematicians. The idea of bringing category theory into earlier, undergraduate teaching (signified by the difference between the Birkhoff- Mac Lane and later Mac Lane-Birkhoff abstract algebra texts) has hit noticeable opposition.
Categorical logic is now a well-defined field based on type theory for intuitionistic logics, with application to the theory of functional programming and domain theory, all in a setting of a cartesian closed category as non-syntactic description of a lambda calculus. The use of category theory language, at the very least, allows one to clarify what exactly these related areas have in common.
Introduction
A category attempts to capture the essence of a class of related mathematical objects, for instance the class of groups. Instead of focusing on the individual objects (groups) as has been done traditionally, the morphisms, i.e. the structure preserving maps between these objects, are emphasized. In the example of groups, these are the group homomorphisms. Then it becomes possible to relate different categories by functors, generalizations of functions which associate to every object of one category an object of another category and to every morphism in the first category a morphism in the second. Very commonly, certain "natural constructions", such as the fundamental group of a topological space, can be expressed as functors. Furthermore, different such constructions are often "naturally related" which leads to the concept of natural transformation, a way to "map" one functor to another.
Historically, the clarification of certain natural transformations occurring in algebraic topology served as the motivation to define functors and categories. Early on, the theory was applied in homological algebra and algebraic geometry; it is now also used in various other branches of mathematics. Special categories called topoi can even serve as an alternative to set theory as the foundation of mathematics. Category theory is also used in a foundational way in functional programming, for example to discuss the idea of typed lambda calculus in terms of cartesian closed categories.
Categories
Definition
A category consists of:
such that the following axioms hold:
- a class of things called objects.
- for every two objects A and B a set Mor(A,B) of things called morphisms from A to B. If f is in Mor(A,B), we write f : A -> B.
- for every three objects A, B and C a binary operation Mor(A,B) x Mor(B,C) -> Mor(A,C) called composition of morphisms. The composition of f : A -> B and g : B -> C is written as g o f or gf. (Some authors write it as fg.)
From these axioms, one can prove that there is exactly one identity morphism for every object.
- (associativity) if f : A -> B, g : B -> C and h : C -> D then h o (g o f) = (h o g) o f, and
- (identity) for every object X there exists a morphism idX : X -> X called the identity morphism for X, such that for every morphism f : A -> B we have idB o f = f = f o idA
If the class of objects is actually a set, the category is said to be small. Many important categories are not small.
Examples
Each category is presented in terms of its objects and its morphisms.
- The category Grp consisting of all groups together with their group homomorphisms.
- The category VectK of all vector spaces over the field K together with their K-linear maps.
- The category Set of all sets together with functions between sets.
- The category Top of all topological spaces with continuous functions.
- Any partially ordered set (P, ≤) forms a small category, where the objects are the members of P, and the morphisms are arrows pointing from x to y precisely when x ≤ y.
- Any monoid forms a small category with a single object x, and where every element of the monoid is a morphism from x to x (the monoid operation yields the categorical composition of morphisms). In fact, one may view categories as generalizations of monoids; several definitions and theorems about monoids may be generalized for categories.
- Any directed graph can be considered as a small category: the objects are the vertices of the graph and the morphisms are the paths in the graph. Composition of morphisms is concatenation of paths.
- If I is a set, the discrete category on I is the small category which has the elements of I as objects and only the identity morphisms as morphisms.
- Any category C can itself be considered as a new category in a different way: the objects are the same as those in the original category but the arrows are those of the original category reversed. This is called the dual or opposite category and is denoted by Cop.
- If C and D are categories, one can form the product category C x D: the objects are pairs consisting of one object from C and one from D, and the morphisms are also pairs, consisting of one morphism in C and one in D. Such pairs can be composed componentwise.
Types of morphisms
A morphism f : A -> B is called a
- monomorphism if fg1 = fg2 implies g1 = g2 for all morphisms g1, g2 : X -> A.
- epimorphism if g1f = g2f implies g1 = g2 for all morphisms g1, g2 : B -> X.
- isomorphism if there exists a morphism g : B -> A with fg = idB and gf = idA.
- automorphism if f is an isomorphism and A = B.
- endomorphism if A = B.
Special objects
An object A of the category C is called
- initial, if for every object B there is a unique morphism A -> B. For example, the empty set is an initial object in the category of sets.
- terminal, if for every object B there is a unique morphism B -> A. For example, every singleton (set with one element) is a terminal object in the category of sets.
Functors
Functors are structure-preserving maps between categories.
Definition
A (covariant) functor F from the category C to the category D
such that the following two properties hold:
- associates to each object X in C an object F(X) in D;
- associates to each morphism f:X->Y a morphism F(f):F(X)->F(Y)
A contravariant functor F from C to D is a functor that "turns morphisms around" (i.e. if f:X->Y is a morphism in C, then F(f):F(Y)->F(X)); the quickest way to define a contravariant functor is as a covariant functor between Cop and D.
- F(idX) = idF(X) for every object X in C.
- F(g o f) = F(g) o F(f) for all morphisms f : X -> Y and g : Y -> Z.
An important consequence of the functor axioms is this: if f is an isomorphism in C, then F(f) is an isomorphism in D.
Examples
Dual vectorspace: an example of a contravariant functor from the category of all real vector spaces to the category of all real vector spaces is given by assigning to every vector space its dual space and to every linear map its dual or transpose.
Algebra of continuous functions: a contravariant functor from the category of topological spaces (with continuous maps as morphisms) to the category of real associative algebras is given by assigning to every topological space X the algebra C(X) of all real-valued continuous functions on that space. Every continuous map f : X -> Y induces an algebra homomorphism C(f) : C(Y) -> C(X) by the rule C(f)(φ) = φ o f for every φ in C(Y).
Homomorphism groups: to every pair A, B of abelian groups and can assign the abelian group Hom(A,B) consisting of all group homomorphisms from A to B. This is a functor which is contravariant in the first and covariant in the second argument, i.e. it is a functor Abop x Ab -> Ab (where Ab denotes the category of abelian groups with group homomorphisms). If f : A1 -> A2 and g : B1 -> B2 are morphisms in Ab, then the group homomorphism Hom(f,g) : Hom(A2,B1) -> Hom(A1,B2) is given by φ |-> g o φ o f.
Forgetful functors: the functor F : Ring -> Ab which maps a ring to its underlying abelian additive group. Morphisms in Ring (ring homomorphisms) become morphisms in Ab (abelian group homomorphisms).
Tensor products: If C denotes the category of vectorspaces over a fixed field, with linear maps as morphisms, then the tensor product V
W defines a functor C x C -> C which is covariant in both arguments.
Lie algebras: Assigning to every real (complex) Lie group its real (complex) Lie algebra defines a functor.
Fundamental group: Consider the category of topological spaces with distinguished points. The objects are pairs (X,x), where X is a topological space and x is an element of X. A morphism from (X,x) to (Y,y) is given by a continuous map f : X -> Y with f(x) = y.
For every topological space with distinguished point (X,x), we will define a fundamental group. This is going to be a functor from the category of topological spaces with distinguished points to the category of groups.
Let f be a continuous function from the unit interval [0,1] into X so that f(0) = f(1) = x. (Equivalently, f is a continuous map from the unit circle in the complex plane so that f(1) = x.) We call such a function a loop in X. If f and g are loops in X, we can glue them together by defining h(t) = f(2t) when t is in [0,0.5] and h(t) = g(2(t - 0.5)) when t is in [0.5,1]. It is easy to check that h is again a loop. If there is a continuous map F(x,t) from [0,1] × [0,1] to X so that f(t) = F(0,t) is a loop and g(t) = F(1,t) is also a loop then f and g are said to be equivalent. It can be checked that this defines an equivalence relation. Our composition rule survives this process. Now, in addition, we can see that we have an identity element e(t) = x (a constant map) and further that every loop has an inverse. Indeed, if f(t) is a loop then f(1 - t) is its inverse. The set of equivalence classes of loops thus forms a group (the fundamental group of X). One may check that the map from the category of topological spaces with a distinguished point to the category of groups is functorial: a topological (homo/iso)morphism will naturally correspond to a group (homo/iso)morphism.
Universal constructions: Functors are often defined by universal properties; examples are the tensor product discussed above, the direct sum and direct product of groups or vector spaces, construction of free groups and modules, direct and inverse limits. The concepts of limit and colimit generalize several of the above. Universal constructions often give rise to pairs of adjoint functors.
Pre-Sheaves: If X is a topological space, then the open sets in X can be considered as the objects of a category CX; there is a morphism from U to V if and only if U is a subset of V. In itself, this category is not very exciting, but the functors from CXop into other categories, the so-called pre-sheaves on X, are interesting. For instance, by assigning to every open set U the associative algebra of real-valued continuous functions on U, one obtains a pre-sheaf of algebras on X.
This motivating example is generalized by considering pre-sheaves on arbitrary categories: a pre-sheaf on C is a functor defined on Cop. The Yoneda lemma explains that often a category C can be extended by considering a category of pre-sheaves on C.
Category of small categories: The category Cat has the small categories as objects, and the functors between them as morphisms.
Further concepts and results
The definitions of categories and functors provide only the very basics of categorical algebra. Additional important topics are listed below. Although there are strong interrelations between all of these topics, the given order can be considered as a guideline for further reading.
- Natural transformations: While functors provide a way to pass from one category to another, natural transformations provide a similar relation between functors.
- The Yoneda lemma is one of the most famous basic results of category theory.
- Limits and colimits: To introduce "unique constructions", such as products (of sets, of topologies, of partial orders, ...), into the theory, limits and colimits are needed.
- Adjoint functors: A functor can be left (or right) adjoint to another functor that maps in the opposite direction. However, when compared to classical relationsships of structure-preserving mappings (such as being inverse to each other), the concept of adjunction of functors appears quite abstract and general. Yet it turns out that it is a highly useful tool that has relations to many other important concepts, for example to the construction of limits.
- Equivalence of categories: In order to obtain a meaningful criterion when two categories can be considered similar, it is necessary to find a notion that is more general than the classical concept of an isomorphism. Equivalences of categories are also closely related to dualities of categories.
- Commutative diagrams: Since category theory usually deals with objects and arrows, it is convenient to express identities in this setting by diagramms.
Additional properties of categories
- In many categories, the morphism sets Mor(A,B) are not just sets but actually abelian groups, and the composition of morphisms is compatible with these group structures, i.e. is bilinear. Such a category is called preadditive. If furthermore the category has all finite products and coproducts, it is called an additive category. If all morphisms have a kernel and a cokernel, and all epimorphism are cokernels and all monomorphisms are kernels, then we speak of an abelian category. A typical example of an abelian category is the category of abelian groups.
- A category is called cartesian closed if it has finite direct products and a morphism defined on a finite product can always be represented by a morphism defined on just one of the factors.
- A topos is certain type of cartesian closed category in which all of mathematics can be formulated (just like classically all of mathematics is formulated in the category of sets). A topos can also be used to represent a logical theory.
- A category is called complete if all limits in it exist. The categories of sets, abelian groups and topological spaces are complete.
- A groupoid is a category in which every morphism is an isomorphism. Groupoids are generalizations of groups, group actions and equivalence relations.
Historical notes
Categories, functors and natural transformations were introduced by Eilenberg and Mac Lane in 1945. Initially, the notions were applied in topology, especially algebraic topology, later also in homological algebra and algebraic geometry.
Literature
- William Lawvere and Steve Schanuel, Conceptual Mathematics: A First Introduction to Categories, Cambridge University Press, Cambridge, 1997.
- Saunders Mac Lane (1998): Categories for the Working Mathematician, Graduate Texts in Mathematics 5, Springer; ISBN 0-387-98403-8
- Francis Borceux. Handbook of Categorical Algebra, volumes 50-52 of Encyclopedia of Mathematics and its Applications. Cambridge University Press, 1994.
Source: adapted by the editor from Wikipedia, the free encyclopedia under a copyleft GNU Free Documentation License (GFDL) from the article "Category theory."
(From Wikipedia, the free Encyclopedia)
The BWV numbers given here are from Bach-Werke Verzeichnis by Wolfgang Schmieder, a thematic catalogue of Bach's works. They are often used to establish exactly which piece the writer is referring to.
- List of sacred and profane cantatas by Johann Sebastian Bach
- Liturgical works in latin
- BWV232 - Messa in B minor
- BWV233 - Messa in F Major
- BWV233a - Kyrie in F Major
- BWV234 - Messa in A Major
- BWV235 - Messa in G minor
- BWV236 - Messa in G Major
- BWV237 - Sanctus in C Major
- BWV238 - Sanctus in D Major
- BWV239 - Sanctus in D Major
- BWV240 - Sanctus in G Major
- BWV241 - Sanctus in D Major
- BWV242 - Christe Eleison
- BWV243 - Magnificat in D Major
- BWV243a - Magnificat in E flat
- Passions and Oratorios
- BWV244 - Passione secondo Matteo (1° versione)
- BWV244b - Passione secondo Matteo (2° versione)
- BWV245 - Passione secondo Giovanni
- BWV245a - Aria aus der 2. Fassung der Johannespassion
- BWV245a - Aria aus der 2. Fassung der Johannespassion
- BWV245b - Aria aus der 2. Fassung der Johannespassion
- BWV245c - Aria aus der 2. Fassung der Johannespassion
- BWV246 - Passione secondo Luca (Spuria)
- BWV247 - Passione secondo Marco
- BWV248 - Oratorio di Natale
- BWV249 - Oratorio di Pasqua: Kommt, eilet und laufet
- Profane cantatas
- BWV249a - Entfliehet, verschwindet, entweichet, ihr Sorgen
- BWV249b - Verjaget, zerstreuet, zerruttet, ihr Sterne
- List of chorales of Johann Sebastian Bach
- List of songs and arias of Johann Sebastian Bach
- Songs
- BWV519 - Hier lieg' ich nun
- BWV520 - Das walt' mein Gott
- BWV521 - Gott mein Herz dir Dank
- BWV522 - Meine Seele, lass es gehen
- BWV523 - Ich gnuege mich an meinem Stande
- Quodlibet
- BWV524 - Quodlibet
- Sonatas for organ
- BWV525 - Trio sonata
- BWV526 - Trio sonata
- BWV527 - Trio sonata
- BWV528 - Trio sonata
- BWV528a - Andante
- BWV529 - Trio sonata
- BWV530 - Trio sonata
- Preludes and fugues, toccatas and fugues, fugues, fantasy for organ
- BWV531 - Prelude and Fugue
- BWV532 - Prelude and Fugue
- BWV532a - Fugue
- BWV533 - Prelude and Fugue "Little"
- BWV534 - Prelude and Fugue
- BWV535 - Prelude and Fugue
- BWV535a - Prelude and Fugue
- BWV536 - Prelude and Fugue
- BWV536a - Prelude
- BWV537 - Fantasia (Prelude) and Fugue
- BWV538 - Toccata and Fugue "Dorian"
- BWV539 - Prelude and Fugue
- BWV539a - Fugue
- BWV540 - Toccata and Fugue
- BWV541 - Prelude and Fugue
- BWV542 - Fantasia and Fugue "Grand"
- BWV542a - Fugue
- BWV543 - Prelude and Fugue
- BWV544 - Prelude and Fugue
- BWV545 - Prelude and Fugue
- BWV545a - Prelude and Fugue
- BWV545b - Prelude, Trio and Fugue
- BWV546 - Prelude and Fugue
- BWV547 - Prelude and Fugue
- BWV548 - Prelude and Fugue "Grand"
- BWV549 - Prelude and Fugue
- BWV550 - Prelude and Fugue
- BWV551 - Prelude and Fugue
- BWV552 - Prelude and Fugue "St. Anne"
- BWV553 - Short Prelude and Fugue
- BWV554 - Short Prelude and Fugue
- BWV555 - Short Prelude and Fugue
- BWV556 - Short Prelude and Fugue
- BWV557 - Short Prelude and Fugue
- BWV558 - Short Prelude and Fugue
- BWV559 - Short Prelude and Fugue
- BWV560 - Short Prelude and Fugue
- BWV561 - Fantasia and Fugue
- BWV562 - Fantasia and Fugue
- BWV563 - Fantasia
- BWV564 - Toccata, Adagio and Fugue
- BWV565 - Toccata and Fugue
- BWV566 - Toccata and Fugue
- BWV566a - Toccata
- BWV567 - Prelude
- BWV568 - Prelude
- BWV569 - Prelude
- BWV570 - Fantasia
- BWV571 - Fantasia (Concerto)
- BWV572 - Fantasia
- BWV573 - Fantasia
- BWV574 - Fugue
- BWV574a - Fugue
- BWV575 - Fugue
- BWV576 - Fugue
- BWV577 - Fugue
- BWV578 - Fugue
- BWV579 - Fugue on theme by Corelli
- BWV580 - Fugue
- BWV581 - Fugue
- BWV581a - Fugue
- BWV582 - Passacaglia
- BWV583 - Trio
- BWV584 - Trio
- BWV585 - Trio
- BWV586 - Trio
- BWV587 - Aria
- BWV588 - Canzona
- BWV589 - Alla Breve
- BWV590 - Pastorale
- BWV591 - Kleines Harmonisches Labyrinth (Little Harmonic Labyrinth)
- Concertos for organ
- BWV592 - Concerto
- BWV592a - Concerto
- BWV593 - Concerto
- BWV594 - Concerto
- BWV595 - Concerto
- BWV596 - Concerto
- BWV597 - Concerto
- BWV598 - Pedal-Exercitium
- Orgel-Büchlein
- BWV599 - Nun komm, der Heiden Heiland
- BWV600 - Gott, durch deine Guete
- BWV601 - Herr Christ, der ein'ge Gottes-Sohn
- BWV602 - Lob sei dem allmaechtigen Gott
- BWV603 - Puer natus in Bethlehem
- BWV604 - Gelobet seist du, Jesu Christ
- BWV605 - Der Tag, der ist so freudenreich
- BWV606 - Vom Himmel hoch, da komm'ich her
- BWV607 - Vom Himmel kam der Engel Schaar
- BWV608 - In dulci jubilo (Orgel-Büchlein)
- BWV609 - Lobt Gott, ihr Christen allzugleich (Orgel-Büchlein)
- BWV610 - Jesu, mein Freude (Orgel-Büchlein)
- BWV611 - Christum wir sollen loben schon (Orgel-Büchlein)
- BWV612 - Wir Christenleut' (Orgel-Büchlein)
- BWV613 - Helft mir Gottes Güte preisen (Orgel-Büchlein)
- BWV614 - Das alte Jahre vergangen ist (Orgel-Büchlein)
- BWV615 - In dir ist Freude (Orgel-Büchlein)
- BWV616 - Mit Fried' und Freud'ich fahr dahin (Orgel-Büchlein)
- BWV617 - Herr Gott, nun schleuss den Himmel auf (Orgel-Büchlein)
- BWV618 - O Lamm Gottes, unschuldig (Orgel-Büchlein)
- BWV619 - Christe, du Lamm Gottes (Orgel-Büchlein)
- BWV620 - Christus, der uns selig macht (Orgel-Büchlein)
- BWV620a - Christus, der uns selig macht (Orgel-Büchlein)
- BWV621 - Da Jesus an dem Kreuze stund' (Orgel-Büchlein)
- BWV622 - O Mensch, bewein' dein' Suende gross (Orgel-Büchlein)
- BWV623 - Wir danken dir, Herr Jesu Christ (Orgel-Büchlein)
- BWV624 - Hilf Gott, dass mir's gelinge (Orgel-Büchlein)
- BWV625 - Christ lag in Todesbanden (Orgel-Büchlein)
- BWV626 - Jesus Christus, unser Heiland (Orgel-Büchlein)
- BWV627 - Christ ist erstanden (Orgel-Büchlein)
- BWV628 - Erstanden ist der heil'ge Christ (Orgel-Büchlein)
- BWV629 - Erschienen ist der herrliche Tag (Orgel-Büchlein)
- BWV630 - Heut' triumphiret Gottes Sohn (Orgel-Büchlein)
- BWV631 - Komm, Gott Schoepfer, heiliger Geist (Orgel-Büchlein)
- BWV632 - Herr Jesu Christ, dich zu uns wend' (Orgel-Büchlein)
- BWV633 - Liebster Jesu, wir sind hier (Orgel-Büchlein)
- BWV634 - Liebster Jesu, wir sind hier (Orgel-Büchlein)
- BWV635 - Dies sind die heil'gen zehn Gebot' (Orgel-Büchlein)
- BWV636 - Vater unser im Himmelreich (Orgel-Büchlein)
- BWV637 - Durch Adam's Fall ist ganz verderbt (Orgel-Büchlein)
- BWV638 - Es ist das Heil uns kommen her (Orgel-Büchlein)
- BWV639 - Ich ruf' zu dir, Herr Jesu Christ (Orgel-Büchlein)
- BWV640 - In dich hab' ich gehoffet, Herr (Orgel-Büchlein)
- BWV641 - Wenn wir in hoechsten Nothen sein (Orgel-Büchlein)
- BWV642 - Wer nur den lieben Gott laesst walten (Orgel-Büchlein)
- BWV643 - Alle Menschen mussen sterben (Orgel-Büchlein)
- BWV644 - Ach wie nichtig, ach wie fluechtig (Orgel-Büchlein)
- Chorale preludes for organ
- BWV645 - Wachet auf, ruft uns die Stimme
- BWV646 - Woll soll ich fliehen hin
- BWV647 - Wer nur den lieben Gott laesst walten
- BWV648 - Meine Seele erhebt den Herren
- BWV649 - Ach bleib bei uns, Herr Jesu Christ
- BWV650 - Kommst du nun, Jesu, von Himmel herunter
- BWV651 - Komm, Heiliger Geist, Herre Gott
- BWV651a - Komm, Heiliger Geist, Herre Gott
- BWV652 - Komm, Heiliger Geist
- BWV653 - An Waserfluessen Babylon
- BWV653a - An Waserfluessen Babylon
- BWV653b - An Waserfluessen Babylon
- BWV654 - Schmuecke dich, o liebe Seele
- BWV655 - Herr Jesu Christ, dich zu uns wend
- BWV655a - Herr Jesu Christ, dich zu uns wend
- BWV655b - Herr Jesu Christ, dich zu uns wend
- BWV655c - Herr Jesu Christ, dich zu uns wend
- BWV656 - O Lamm Gottes, unschuldig
- BWV656a - O Lamm Gottes, unschuldig
- BWV657 - Nun danket alle Gott
- BWV658 - Von Gott will ich nicht lassen
- BWV658a - Von Gott will ich nicht lassen
- BWV659 - Nun komm, der Heiden Heiland
- BWV659a - Nun komm, der Heiden Heiland
- BWV660 - Nun komm, der Heiden Heiland
- BWV660a - Nun komm, der Heiden Heiland
- BWV660b - Nun komm, der Heiden Heiland
- BWV661 - Nun komm, der Heiden Heiland
- BWV661a - Nun komm, der Heiden Heiland
- BWV662 - Allein Gott in der Höh' sei Ehr'
- BWV663 - Allein Gott in der Höh' sei Ehr'
- BWV663a - Allein Gott in der Höh' sei Ehr'
- BWV664 - Allein Gott in der Höh' sei Ehr'
- BWV664a - Allein Gott in der Höh' sei Ehr'
- BWV665 - Jesu Christus unser Heiland
- BWV665a - Jesu Christus unser Heiland
- BWV666 - Jesus Christus unser Heiland
- BWV667 - Komm, Gott Scoepfer, heiliger Geist
- BWV668 - Vor deinen Thron tret' ich
- BWV668a - Vor deinen Thron tret' ich
- Clavier Übung, III, bestehend in verschedenen Vorspielen über die Catechismus- und andere Gesaenge (per organo)
- BWV669 - Kyrie, Gott Vater in Ewigkeit
- BWV670 - Christe, aller Welt Trost
- BWV671 - Kyrie, Gott heiliger Geist
- BWV672 - Kyrie, Gott Vater in Ewigkeit
- BWV673 - Christe, aller Welt Trost
- BWV674 - Kyrie, Gott heiliger Geist
- BWV675 - Allein Gott in der Hoeh' sei Ehr
- BWV676 - Allein Gott in der Hoeh' sei Ehr
- BWV677 - Allein Gott in der Hoeh' sei Ehr
- BWV678 - Dies sind die heilgen zehn Gebot
- BWV679 - Dies sind die heilgen zehn Gebot
- BWV680 - Wir glauben all' an einen Gott
- BWV681 - Wir glauben all' an einen Gott
- BWV682 - Vater unser Himmelreich
- BWV683 - Vater unser im Himmelreich
- BWV684 - Christ, unser Herr, zum Jordan kam
- BWV685 - Christ, unser Herr, zum Jordan kam
- BWV686 - Aus tiefer Not schrei ich zu dir
- BWV687 - Aus tiefer Not schrei ich zu dir
- BWV688 - Jesus Christus unser Heiland, der von uns den Zorn Gottes wandt
- BWV689 - Jesus Christus unser Heiland
- Kirnberger chorale preludes (for organ)
- BWV690 - Wer nur den lieben Gott lasst walten
- BWV691 - Wer nun den lieben Gott lasst walten
- BWV691a - Wer nun den lieben Gott lasst walten
- BWV692 - Ach Gott und Herr
- BWV692a - Ach Gott und Herr
- BWV693 - Ach Gott und Herr
- BWV694 - Wo soll ich fliehen hin
- BWV695 - Christ lag in Todes Banden
- BWV695a - Christ lag in Todes Banden
- BWV696 - Christum wir sollen loben schon (Fughetta)
- BWV697 - Gelobet seist du, Jesu Christ (Fughetta)
- BWV698 - Herr Christ, der eineg Gottes Sohn (Fughetta)
- BWV699 - Nun komm, der Heiden Heiland (Fughetta)
- BWV700 - Vom Himmel hoch, da komm ich her
- BWV701 - Vom Himmel hoch, da komm ich her (Fughetta)
- BWV702 - Das Jesulein soll doch mein Trost (Fughetta)
- BWV703 - Gottes Sohn ist kommen (Fughetta)
- BWV704 - Lob sei dem allmaechtigen Gott (Fughetta)
- BWV705 - Durch Adams Fall ist ganz verderbt
- BWV706 - Liebster Jesu, wir sind hier
- BWV707 - Ich hab' mein' Sach' Gott heimgestellt
- BWV708 - Ich hab' mein' Sach' Gott heimgestellt
- BWV708a - Ich hab' mein' Sach' Gott heimgestellt
- BWV709 - Herr Jesu Christ, dich zu uns wend
- BWV710 - Wir Christenleut habn jetzund Freud
- BWV711 - Allein Gott in der Hoeh' sei Ehr
- BWV712 - In dich hab' ich gehoffet, Herr
- BWV713 - Jesu meine Freude (Fantasia)
- BWV713a - Jesu meine Freude (Fantasia)
- Other chorale preludes
- BWV714 - Ach Gott und Herr
- BWV715 - Allein Gott in der Hoh sei Ehr
- BWV716 - Fuga super Allein Gott in der Hoeh sei Ehr
- BWV717 - Allein Gott in der Hoh sei Ehr'
- BWV718 - Christ lag in Todes banden
- BWV719 - Der Tag, der ist so freudenreich
- BWV720 - Ein feste Burg ist unser Gott
- BWV721 - Erbarm dich mein, o Herre Gott
- BWV722 - Gelobet seist du, Jesu Christ
- BWV723 - Gelobet seist du, Jesu Christ
- BWV724 - Gott, durch dein Guete (Gottes Sohn ist kommen)
- BWV725 - Herr Gott, dich loben wir
- BWV726 - Herr Jesu Christ, dich zu uns wend
- BWV727 - Herzlich tut mich verlangen
- BWV728 - Jesus, meine Zuversicht
- BWV729 - In dulci jubilo
- BWV730 - Liebster Jesu, wir sind hier
- BWV731 - Liebster Jesu, wir sind hier
- BWV732 - Lobt Gott, ihr Christen, allzugleich
- BWV733 - Magnificat
- BWV734 - Nun freut euch, lieben Christen/Es ist gewisslich an der Zeit
- BWV735 - Valet will ich dir geben
- BWV736 - Valet will ich dir geben
- BWV737 - Vater unser im Himmelreich
- BWV738 - Von Himmel hoch, da komm' ich her
- BWV738a - Von Himmel hoch, da komm' ich her
- BWV739 - Wie schoen leuchter der Morgenstern
- BWV740 - Wir glauben all' an einen Gott, Vater
- BWV741 - Ach Gott, von Himmel sieh' darein
- BWV742 - Ach Herr, mich armen Sunder
- BWV743 - Ach, was ist doch unser Leben
- BWV744 - Auf meinen lieben Gott
- BWV745 - Aus der Tiefe rufe ich
- BWV746 - Christ ist erstanden
- BWV747 - Christus, der uns selig macht
- BWV748 - Gott der Vater wohn' uns bei
- BWV748a - Gott der Vater wohn' uns bei
- BWV749 - Herr Jesu Christ, dich zu uns wend'
- BWV750 - Herr Jesu Christ, mein's Lebens Licht
- BWV751 - In dulci jubilo
- BWV752 - Jesu, der du meine Seele
- BWV753 - Jesu, meine Freude
- BWV754 - Liebster Jesu, wir sind hier
- BWV755 - Nun freut euch, lieben Christen
- BWV756 - Nun ruhen alle Waelder
- BWV757 - O herre Gott, din goettlich's Wort
- BWV758 - O vater, allmaechtiger Gott
- BWV759 - Schmuecke dich, o liebe Seele
- BWV760 - Vater unser im Himmelreich
- BWV761 - Vater unser im Himmelreich
- BWV762 - Vater unser im Himmelreich
- BWV763 - Wie schoen leuchtet der Morgenstern
- BWV764 - Wie schoen leuchtet der Morgernstern
- Partitas and variations on chorales (for organ)
- BWV765 - Wur glauben all' an einen Gott
- BWV766 - Christ, der du bist der helle Tag
- BWV767 - O Gott, du frommer Gott
- BWV768 - Sei gegruesset, Jesu guetig
- BWV769 - Von Himmel hoch, da komm' ich her (Canonic Variations)
- BWV770 - Ach, was soll ich Sunder machine
- BWV771 - Allein Gott in der Hoh sei Ehr
- Two part inventions (for clavier)
- BWV772 - Two-part invention No. 1
- BWV772a - Two-part invention No. 1
- BWV773 - Two-part invention No. 2
- BWV774 - Two-part invention No. 3
- BWV775 - Two-part invention No. 4
- BWV776 - Two-part invention No. 5
- BWV777 - Two-part invention No. 6
- BWV778 - Two-part invention No. 7
- BWV779 - Two-part invention No. 8
- BWV780 - Two-part invention No. 9
- BWV781 - Two-part invention No. 10
- BWV782 - Two-part invention No. 11
- BWV783 - Two-part invention No. 12
- BWV784 - Two-part invention No. 13
- BWV785 - Two-part invention No. 14
- BWV786 - Two-part invention No. 15
- Three part inventions (sinfonias; for clavier)
- BWV787 - Three-part Sinfonia No. 1
- BWV788 - Three-part Sinfonia No. 2
- BWV789 - Three-part Sinfonia No. 3
- BWV790 - Three-part Sinfonia No. 4
- BWV791 - Three-part Sinfonia No. 5
- BWV792 - Three-part Sinfonia No. 6
- BWV793 - Three-part Sinfonia No. 7
- BWV794 - Three-part Sinfonia No. 8
- BWV795 - Three-part Sinfonia No. 9
- BWV796 - Three-part Sinfonia No. 10
- BWV797 - Three-part Sinfonia No. 11
- BWV798 - Three-part Sinfonia No. 12
- BWV799 - Three-part Sinfonia No. 13
- BWV800 - Three-part Sinfonia No. 14
- BWV801 - Three-part Sinfonia No. 15
- Duets (for clavier)
- BWV802 - Duet
- BWV803 - Duet
- BWV804 - Duet
- BWV805 - Duet
- English Suites (for clavier)
- BWV806 - English Suite No. 1
- BWV807 - English Suite No. 2
- BWV808 - English Suite No. 3
- BWV809 - English Suite No. 4
- BWV810 - English Suite No. 5
- BWV811 - English Suite No. 6
- French suites (for clavier)
- BWV812 - French Suite No. 1
- BWV813 - French Suite No. 2
- BWV814 - French Suite No. 3
- BWV815 - French Suite No. 4
- BWV815a - French Suite No. 4
- BWV816 - French Suite No. 5
- BWV817 - French Suite No. 6
- Other suites (for clavier)
- BWV818 - Suite
- BWV818a - Suite
- BWV819 - Suite
- BWV819a - Suite
- BWV820 - Overture (Suite)
- BWV821 - Suite
- BWV822 - Suite
- BWV823 - Suite
- BWV824 - Suite
- Partitas (for clavier)
- BWV825 - Partita No. 1
- BWV826 - Partita No. 2
- BWV827 - Partita No. 3
- BWV828 - Partita No. 4
- BWV829 - Partita No. 5
- BWV830 - Partita No. 6
- Miscellaneous pieces for clavier
- BWV831 - Overture in the French Style
- BWV832 - Partita
- BWV833 - Prelude and partita
- BWV834 - Allemande
- BWV835 - Allemande
- BWV836 - Allemande
- BWV837 - Allemande
- BWV838 - Allemande and courante
- BWV839 - Sarabande
- BWV840 - Courante
- BWV841 - Minuet
- BWV842 - Minuet
- BWV843 - Minuet
- BWV844 - Scherzo
- BWV844a - Scherzo
- BWV845 - Gigue
- The Well-Tempered Clavier
- BWV846 - Well-Tempered Clavier 1: Prelude & Fugue No. 1
- BWV847 - Well-Tempered Clavier 1: Prelude & Fugue No. 2
- BWV848 - Well-Tempered Clavier 1: Prelude & Fugue No. 3
- BWV849 - Well-Tempered Clavier 1: Prelude & Fugue No. 4
- BWV850 - Well-Tempered Clavier 1: Prelude & Fugue No. 5
- BWV851 - Well-Tempered Clavier 1: Prelude & Fugue No. 6
- BWV852 - Well-Tempered Clavier 1: Prelude & Fugue No. 7
- BWV853 - Well-Tempered Clavier 1: Prelude & Fugue No. 8
- BWV854 - Well-Tempered Clavier 1: Prelude & Fugue No. 9
- BWV855 - Well-Tempered Clavier 1: Prelude & Fugue No. 10
- BWV856 - Well-Tempered Clavier 1: Prelude & Fugue No. 11
- BWV857 - Well-Tempered Clavier 1: Prelude & Fugue No. 12
- BWV858 - Well-Tempered Clavier 1: Prelude & Fugue No. 13
- BWV859 - Well-Tempered Clavier 1: Prelude & Fugue No. 14
- BWV860 - Well-Tempered Clavier 1: Prelude & Fugue No. 15
- BWV861 - Well-Tempered Clavier 1: Prelude & Fugue No. 16
- BWV862 - Well-Tempered Clavier 1: Prelude & Fugue No. 17
- BWV863 - Well-Tempered Clavier 1: Prelude & Fugue No. 18
- BWV864 - Well-Tempered Clavier 1: Prelude & Fugue No. 19
- BWV865 - Well-Tempered Clavier 1: Prelude & Fugue No. 20
- BWV866 - Well-Tempered Clavier 1: Prelude & Fugue No. 21
- BWV867 - Well-Tempered Clavier 1: Prelude & Fugue No. 22
- BWV868 - Well-Tempered Clavier 1: Prelude & Fugue No. 23
- BWV869 - Well-Tempered Clavier 1: Prelude & Fugue No. 24
- BWV870 - Well-Tempered Clavier 2: Prelude & Fugue No. 1
- BWV871 - Well-Tempered Clavier 2: Prelude & Fugue No. 2
- BWV872 - Well-Tempered Clavier 2: Prelude & Fugue No. 3
- BWV873 - Well-Tempered Clavier 2: Prelude & Fugue No. 4
- BWV874 - Well-Tempered Clavier 2: Prelude & Fugue No. 5
- BWV875 - Well-Tempered Clavier 2: Prelude & Fugue No. 6
- BWV876 - Well-Tempered Clavier 2: Prelude & Fugue No. 7
- BWV877 - Well-Tempered Clavier 2: Prelude & Fugue No. 8
- BWV878 - Well-Tempered Clavier 2: Prelude & Fugue No. 9
- BWV879 - Well-Tempered Clavier 2: Prelude & Fugue No. 10
- BWV880 - Well-Tempered Clavier 2: Prelude & Fugue No. 11
- BWV881 - Well-Tempered Clavier 2: Prelude & Fugue No. 12
- BWV882 - Well-Tempered Clavier 2: Prelude & Fugue No. 13
- BWV883 - Well-Tempered Clavier 2: Prelude & Fugue No. 14
- BWV884 - Well-Tempered Clavier 2: Prelude & Fugue No. 15
- BWV885 - Well-Tempered Clavier 2: Prelude & Fugue No. 16
- BWV886 - Well-Tempered Clavier 2: Prelude & Fugue No. 17
- BWV887 - Well-Tempered Clavier 2: Prelude & Fugue No. 18
- BWV888 - Well-Tempered Clavier 2: Prelude & Fugue No. 19
- BWV889 - Well-Tempered Clavier 2: Prelude & Fugue No. 20
- BWV890 - Well-Tempered Clavier 2: Prelude & Fugue No. 21
- BWV891 - Well-Tempered Clavier 2: Prelude & Fugue No. 22
- BWV892 - Well-Tempered Clavier 2: Prelude & Fugue No. 23
- BWV893 - Well-Tempered Clavier 2: Prelude & Fugue No. 24
- Preludes and fugues, toccatas, fantasies and sonatas for clavier
- BWV894 - Prelude and Fugue
- BWV895 - Prelude and Fugue
- BWV896 - Prelude and Fugue
- BWV897 - Prelude and Fugue
- BWV898 - Prelude and Fugue
- BWV899 - Prelude and fughetta
- BWV900 - Prelude and fughetta
- BWV901 - Prelude and fughetta
- BWV902 - Prelude and fughetta
- BWV902a - Prelude and fughetta
- BWV903 - Chromatic fantasia and fugue
- BWV903a - Chromatic fantasia and fugue
- BWV904 - Fantasia and fugue
- BWV905 - Fantasia and fugue
- BWV906 - Fantasia and fugue
- BWV907 - Fantasia and fughetta
- BWV908 - Fantasia and fughetta
- BWV909 - Concerto and fugue
- BWV910 - Toccata
- BWV911 - Toccata
- BWV912 - Toccata
- BWV913 - Toccata
- BWV914 - Toccata
- BWV915 - Toccata
- BWV916 - Toccata
- BWV917 - Fantasia
- BWV918 - Fantasia
- BWV919 - Fantasia
- BWV920 - Fantasia
- BWV921 - Prelude
- BWV922 - Prelude
- BWV923 - Prelude
- BWV924 - Prelude
- BWV924a - Prelude
- BWV925 - Prelude
- BWV926 - Prelude
- BWV927 - Praeambulum
- BWV928 - Prelude
- BWV929 - Prelude
- BWV930 - Prelude
- BWV931 - Prelude
- BWV932 - Prelude
- BWV933 - Little Prelude
- BWV934 - Little Prelude
- BWV935 - Little Prelude
- BWV936 - Little Prelude
- BWV937 - Little Prelude
- BWV938 - Little Prelude
- BWV939 - Prelude
- BWV940 - Prelude
- BWV941 - Prelude
- BWV942 - Prelude
- BWV943 - Prelude
- BWV944 - Fugue
- BWV945 - Fugue
- BWV946 - Fugue
- BWV947 - Fugue
- BWV948 - Fugue
- BWV949 - Fugue
- BWV950 - Fugue
- BWV951 - Fugue
- BWV951a - Fugue
- BWV952 - Fugue
- BWV953 - Fugue
- BWV954 - Fugue
- BWV955 - Fugue
- BWV956 - Fugue
- BWV957 - Fugue
- BWV958 - Fugue
- BWV959 - Fugue
- BWV960 - Fugue
- BWV961 - Fughetta
- BWV962 - Fughetta
- BWV963 - Sonata
- BWV964 - Sonata
- BWV965 - Sonata
- BWV966 - Sonata
- BWV967 - Sonata
- BWV968 - Adagio
- BWV969 - Andante
- BWV970 - Presto
- BWV971 - Italian Concerto
- BWV972 - Arrangement of Antonio Vivaldi's Concerto Op. 3, No. 7 as a harpsichord concerto
- BWV973 - Arrangement of Vivaldi's Concerto Op. 7, No. 2 as a harpsichord concerto
- BWV974 - Arrangement of oboe concerto in D minor by Alessandro Marcello as a harpsichord concerto
- BWV975 - Arrangement of Vivaldi's Violin Concerto Op. 4, No. 6 as a harpsichord concerto
- BWV976 - Arrangement of Vivaldi's Concerto Op. 3, No. 12 as a harpsichord concerto
- BWV977 - Arrangement of an unknown work, possibly by Vivaldi, as a harpsichord concerto
- BWV978 - Arrangement of Vivaldi's Concerto Op. 3, No. 3 as a harpsichord concerto
- BWV979 - Arrangement of a violin concerto in D minor by Giuseppe Torelli as a harpsichord concerto
- BWV980 - Arrangement of Vivaldi's Violin Concerto Op. 4, No. 1 as a harpsichord concerto
- BWV981 - Arrangement of a violin concerto by Benedetto Marcello as a harpsichord concerto
- BWV982 - Arrangement of a concerto by Duke Johann Ernst, Op. 1, No. 1 as a harpsichord concerto
- BWV983 - Arrangement of an unknown concerto as a harpsichord concerto
- BWV984 - Arrangement of a concerto by Johann Ernst as a harpsichord concerto (also arranged for organ as BWV 595)
- BWV985 - Arrangement for harpsichord of a violin concerto by Georg Philipp Telemann as a harpsichord concerto
- BWV986 - Arrangement for harpsichord of an unknown concerto, possibly by Telemann, as a harpsichord concerto
- BWV987 - Arrangement for harpsiochord of a concerto by Duke Johann Ernst, Op. 1, No. 4 as a harpsichord concerto
- BWV988 - Goldberg Variations
- BWV989 - Aria variata alla maniera italiana
- BWV990 - Sarabande con partite
- BWV991 - Air with variations
- BWV992 - Capriccio sopra la lontananza del suo fratello dilettissimo
- BWV993 - Capriccio
- BWV994 - Applicatio
- Works for solo lute
- BWV995 - Suite - lute - Solo Instrumental Works
- BWV996 - Suite - lute - Solo Instrumental Works
- BWV997 - Suite - lute - Solo Instrumental Works
- BWV998 - Prelude, Fugue and Allegro - lute - Solo Instrumental Works
- BWV999 - Prelude - lute - Solo Instrumental Works
- BWV1000 - Fugue - lute - Solo Instrumental Works
- Sonatas and partitas for solo violin
- BWV1001 - Sonata - violin - Solo Instrumental Works
- BWV1002 - Partita - violin - Solo Instrumental Works
- BWV1003 - Sonata - violin - Solo Instrumental Works
- BWV1004 - Partita - violin - Solo Instrumental Works
- BWV1005 - Sonata - violin - Solo Instrumental Works
- BWV1006 - Partita - violin - Solo Instrumental Works
- Suite for solo lute
- BWV1006a - Suite - lute - Solo Instrumental Works
- Suites for solo cello
- BWV1007 - Cello Suite No. 1
- BWV1008 - Cello Suite No. 2
- BWV1009 - Cello Suite No. 3
- BWV1010 - Cello Suite No. 4
- BWV1011 - Cello Suite No. 5
- BWV1012 - Cello Suite No. 6
- BWV1013 - Partita - flute/recorder - Solo Instrumental Works
- Sonatas for violin and clavier
- BWV1014 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1015 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1016 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1017 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1018 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1019 - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1019a - Sonata - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1020 - Sonata - violin; flute/recorder; harpsichord - Chamber Works for Duos and Trios
- BWV1021 - Sonata - violin; continuo - Chamber Works for Duos and Trios
- BWV1022 - Sonata - violin; continuo - Chamber Works for Duos and Trios
- BWV1023 - Sonata - violin; continuo - Chamber Works for Duos and Trios
- BWV1024 - Sonata - violin; continuo - Chamber Works for Duos and Trios
- BWV1025 - Suite - violin; harpsichord - Chamber Works for Duos and Trios
- BWV1026 - Fugue - violin; harpsichord - Chamber Works for Duos and Trios
- Sonata for viola da gamba and clavier
- BWV1027 - Sonata - viola da gamba; harpsichord - Chamber Works for Duos and Trios
- BWV1027a - Trio - organ - Chamber Works for Duos and Trios
- BWV1028 - Sonata - viola da gamba; harpsichord - Chamber Works for Duos and Trios
- BWV1029 - Sonata - viola da gamba; harpsichord - Chamber Works for Duos and Trios
- Sonatas for flute and clavier
- BWV1030 - Sonata - flute/recorder; harpsichord - Chamber Works for Duos and Trios
- BWV1031 - Sonata - flute/recorder; harpsichord - Chamber Works for Duos and Trios
- BWV1032 - Sonata - flute/recorder; harpsichord - Chamber Works for Duos and Trios
- BWV1033 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1034 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1035 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1036 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1037 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1038 - Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1039 - Trio Sonata - flute/recorder; continuo - Chamber Works for Duos and Trios
- BWV1040 - Trio - violin; oboe; continuo - Chamber Works for Duos and Trios
- Violin concertos
- BWV1041 - Violin Concerto
- BWV1042 - Violin Concerto
- BWV1043 - Concerto for 2 violins
- BWV1044 - Concerto for flute, violin and harpsichord
- BWV1045 - Violin Concerto
- Brandenburg Concertos
- BWV1046 - Brandenburg Concerto No. 1
- BWV1046a - Sinfonia
- BWV1047 - Brandenburg Concerto No. 2
- BWV1048 - Brandenburg Concerto No. 3
- BWV1049 - Brandenburg Concerto No. 4
- BWV1050 - Brandenburg Concerto No. 5
- BWV1050a - Concerto in D Major
- BWV1051 - Brandenburg Concerto No. 6
- Concertos for clavier
- BWV1052 - Harpsichord Concerto
- BWV1053 - Harpsichord Concerto
- BWV1054 - Harpsichord Concerto
- BWV1055 - Harpsichord Concerto
- BWV1056 - Harpsichord Concerto
- BWV1057 - Harpsichord Concerto
- BWV1058 - Harpsichord Concerto
- BWV1059 - Harpsichord Concerto
This list still needs a lot of tidying, I think
- BWV1060 - Concerto for Two Harpsichords
- BWV1061 - Concerto for Two Harpsichords
- BWV1062 - Concerto for Two Harpsichords
- BWV1063 - Concerto for Three Harpsichords
- BWV1064 - Concerto for Three Harpsichords
- BWV1065 - Concerto for Four Harpsichords
- Orchestral suites
- BWV1066 - Orchestral Suite No. 1
- BWV1067 - Orchestral Suite No. 2
- BWV1068 - Orchestral Suite No. 3
- BWV1069 - Orchestral Suite No. 4
- BWV1070 - Orchestral Suite (spurious)
- BWV1071 - Sinfonia
- Canons
- BWV1072 - Canon trias harmonica - organ - Canons and Late Contrapuntal Works
- BWV1073 - Canon a 4 perpetuus - organ - Canons and Late Contrapuntal Works
- BWV1074 - Canon a 4 - organ - Canons and Late Contrapuntal Works
- BWV1075 - Canon a 2 perpetuus - organ - Canons and Late Contrapuntal Works
- BWV1076 - Canon triplex a 6 - organ - Canons and Late Contrapuntal Works
- BWV1077 - Canone doppio sopr'il soggetto - organ - Canons and Late Contrapuntal Works
- BWV1078 - Canon super fa mi a 7 post tempus misicum - organ - Canons and Late Contrapuntal Works
- BWV1079 - The Musical Offering (Musikalisches Opfer) - flute/recorder; violin; harpsichord; continuo - Canons and Late Contrapuntal Works
- BWV1080 - The Art of Fugue (Die Kunst der Fuge)
- Canons
- BWV1081 - Credo in unum Deum in F-dur
- BWV1082 - Suscepit Israel puerum suum
- BWV1083 - Tilge, Höchster, meine Sünden
- BWV1084 - O hilf, Christe, Gottes Sohn
- BWV1085 - O Lamm Gottes, unschuldig
- BWV1086 - Canon concordia discors - organ - Canons and Late Contrapuntal Works
- BWV1087 - Verschiedene Canones [14] - organ - Canons and Late Contrapuntal Works
- BWV1088 - So heb ich denn mein Auge sehnlich auf
- BWV1089 - Da Jesus an dem Kreutze stund
- BWV1090 - Wir Christenleut
- BWV1091 - Das alte Jahr vergangen ist
- BWV1092 - Herr Gott, nun schleuß den Himmel auf
- BWV1093 - Herzliebster Jesu, was hast du verbrochen
- BWV1094 - O Jesu, wie ist dein Gestalt
- BWV1095 - O Lamm Gottes unschuldig
- BWV1096 - Christe, der du bist Tag und Licht (oder: Wir danken dir, Herr Jesu Christ)
- BWV1097 - Ehre sei dir, Christe, der du leidest Not
- BWV1098 - Wir glauben all an einen Gott
- BWV1099 - Aus tiefer Not schrei ich zu dir
- BWV1100 - Allein zu dir, Herr Jesu Christ
- BWV1101 - Durch Adams Fall ist ganz verderbt
- BWV1102 - Du Friedefürst, Herr Jesu Christ
- BWV1103 - Erhalt uns, Herr, bei deinem Wort
- BWV1104 - Wenn dich Unglück tut greifen an
- BWV1105 - Jesu, meine Freude
- BWV1106 - Gott ist mein Heil, mein Hilf und Trost
- BWV1107 - Jesu, meines Lebens Leben
- BWV1108 - Als Jesus Christus in der Nacht
- BWV1109 - Ach Gott, tu dich erbarmen
- BWV1110 - O Herre Gott, dein göttlich Wort
- BWV1111 - Nun lasset uns den Leib begrab'n
- BWV1112 - Christus, der ist mein Leben
- BWV1113 - Ich hab mein Sach Gott heimgestellt
- BWV1114 - Herr Jesu Christ, du höchstes Gut
- BWV1115 - Herzlich lieb hab ich dich, o Herr
- BWV1116 - Was Gott tut, das ist wohlgetan
- BWV1117 - Alle Menschen müssen sterben
- BWV1118 - Werde munter, mein Gemüte
- BWV1119 - Wie nach einer Wasserquelle
- BWV1120 - Christ, der du bist der helle Tag
- BWV Anh. 43 to BWV Anh. 189 (appendix)
- BWV Anh. 43 - Fugue - Organ Works
- BWV Anh. 44 - Fugue - Organ Works
- BWV Anh. 45 - Fugue - Organ Works
- BWV Anh. 46 - Trio - Organ Works
- BWV Anh. 47 - Ach Herr, mich armen Sünder - Doubtful Works
- BWV Anh. 48 - Allein Gott in der Höh' sei Ehr - Doubtful Works
- BWV Anh. 49 - Ein feste Burg ist unser Gott - Doubtful Works
- BWV Anh. 50 - Erhalt uns, Herr, bei deinem Wort - Doubtful Works
- BWV Anh. 51 - Erstanden ist der heilige Christ - Doubtful Works
- BWV Anh. 52 - Freu dich sehr, o meine Seele - Doubtful Works
- BWV Anh. 53 - Freu dich sehr, o meine Seele - Doubtful Works
- BWV Anh. 54 - Helft mir Gottes Güte preisen - Doubtful Works
- BWV Anh. 55 - Herr Christ, der einig' Gottes Sohn - Doubtful Works
- BWV Anh. 56 - Herr Jesu Christ, dich zu uns wend' - Doubtful Works
- BWV Anh. 57 - Jesu Leiden, Pein und Tod - Doubtful Works
- BWV Anh. 58 - Jesu, meine Freude - Doubtful Works
- BWV Anh. 59 - Jesu, meine Freude - Doubtful Works
- BWV Anh. 60 - Non lob', mein' Seel' den Herren - Doubtful Works
- BWV Anh. 61 - O Mensch, bewein' dein' S&;uuml;nde groß - Doubtful Works
- BWV Anh. 62a - Sei Lob und Ehr mit hohem Preis - Doubtful Works
- BWV Anh. 62b - Sei Lob und Ehr mit hohem Preis - Doubtful Works
- BWV Anh. 63 - Von Himmel hoch - Doubtful Works
- BWV Anh. 64 - Von Himmel hoch - Doubtful Works
- BWV Anh. 65 - Von Himmel hoch - Doubtful Works
- BWV Anh. 66 - Wachet auf, ruft uns - Doubtful Works
- BWV Anh. 67 - Was Gott tut, das ist wohlgetan - Doubtful Works
- BWV Anh. 68 - Wer nur den lieben Gott läßt walten - Doubtful Works
- BWV Anh. 69 - Wir glauben all'an einen Gott - Doubtful Works
- BWV Anh. 70 - Wir glauben all'an einen Gott - Doubtful Works
- BWV Anh. 71 - Wo Gott, der Herr, nicht bei uns hält - Doubtful Works
- BWV Anh. 72 - Canon - Doubtful Works
- BWV Anh. 77 - Herr Christ, der eining' Gottessohn - Doubtful Works
- BWV Anh. 78 - Wenn wir in hochsten Noten sein - Doubtful Works
- BWV Anh. 79 - Befiehl du deine Wege - Doubtful Works
- BWV Anh. 107 - Fugue - Doubtful Works
- BWV Anh. 108 - Fugue - Doubtful Works
- BWV Anh. 109 - Fugue - Doubtful Works
- BWV Anh. 110 - Fugue - Doubtful Works
- BWV Anh. 111 - Largo & Allegro - Doubtful Works
- BWV Anh. 112 - Grave - Doubtful Works
- BWV Anh. 113 - Minuet - Doubtful Works
- BWV Anh. 114 - Minuet - Doubtful Works
- BWV Anh. 115 - Minuet - Doubtful Works
- BWV Anh. 116 - Minuet - Doubtful Works
- BWV Anh. 117a - Minuet - Doubtful Works
- BWV Anh. 117b - Minuet - Doubtful Works
- BWV Anh. 118 - Minuet - Doubtful Works
- BWV Anh. 119 - Polonaise - Doubtful Works
- BWV Anh. 120 - Minuet - Doubtful Works
- BWV Anh. 121 - Minuet - Doubtful Works
- BWV Anh. 122 - March - Doubtful Works
- BWV Anh. 123 - Polonaise - Doubtful Works
- BWV Anh. 124 - March - Doubtful Works
- BWV Anh. 125 - Polonaise - Doubtful Works
- BWV Anh. 126 - Musette - Doubtful Works
- BWV Anh. 127 - March - Doubtful Works
- BWV Anh. 128 - Polonaise - Doubtful Works
- BWV Anh. 129 - Solo - Doubtful Works
- BWV Anh. 130 - Polonaise - Doubtful Works
- BWV Anh. 131 - Movement - Doubtful Works
- BWV Anh. 132 - Minuet - Doubtful Works
- BWV Anh. 133 - Fantasia - Doubtful Works
- BWV Anh. 134 - Scherzo - Doubtful Works
- BWV Anh. 135 - Buslesca - Doubtful Works
- BWV Anh. 136 - Trio - Doubtful Works
- BWV Anh. 137 - L'Intrada della Caccia - Doubtful Works
- BWV Anh. 138 - Continuazione della Caccia - Doubtful Works
- BWV Anh. 139 - Il Fine delle Caccia - I - Doubtful Works
- BWV Anh. 140 - Il Fine delle Caccia - II - Doubtful Works
- BWV Anh. 141 - Song of Psalm: O Gott die Christenhalt - Doubtful Works
- BWV Anh. 142 - Psalm 110 - Doubtful Works
- BWV Anh. 143 - Polonaise - Doubtful Works
- BWV Anh. 144 - Polonaise Trio - Doubtful Works
- BWV Anh. 145 - March - Doubtful Works
- BWV Anh. 146 - March - Doubtful Works
- BWV Anh. 147 - La Combattuta - Doubtful Works
- BWV Anh. 148 - Scherzo - Doubtful Works
- BWV Anh. 149 - Minuet - Doubtful Works
- BWV Anh. 150 - Trio - Doubtful Works
- BWV Anh. 151 - Concerto - Doubtful Works
- BWV Anh. 152 - Concerto - Doubtful Works
- BWV Anh. 153 - Sonata - Doubtful Works
- BWV Anh. 158 - Aria: Andro dall' colle al prato - Falsely Attributed Works
- BWV Anh. 159 - Motet: Ich lasse dich nicht, du segnest mich denn - Falsely Attributed Works
- BWV Anh. 160 - Motet: Jauchzet dem Herrn, alle Welt - Falsely Attributed Works
- BWV Anh. 161 - Motet: Kundlich gross ist das gottselige Geheimnis - Falsely Attributed Works
- BWV Anh. 162 - Motet: Lob und Ehre und Weishelt und Dank - Falsely Attributed Works
- BWV Anh. 163 - Motet: Merk aud, mein Herz, und sieh dorthin - Falsely Attributed Works
- BWV Anh. 164 - Motet: Nun danket alle Gott - Falsely Attributed Works
- BWV Anh. 165 - Motet: Unser Wandel ist im Himmel - Falsely Attributed Works
- BWV Anh. 177 - Prelude and Fugue - Falsely Attributed Works
- BWV Anh. 178 - Toccata quasi Fantasia with Fugue - Falsely Attributed Works
- BWV Anh. 179 - Fantasia - Falsely Attributed Works
- BWV Anh. 180 - Fugue - Falsely Attributed Works
- BWV Anh. 181 - Fugue - Falsely Attributed Works
- BWV Anh. 182 - Passacaglia - Falsely Attributed Works
- BWV Anh. 183 - Rondo - Falsely Attributed Works
- BWV Anh. 184 - Sonata - Falsely Attributed Works
- BWV Anh. 185 - Sonata - Falsely Attributed Works
- BWV Anh. 186 - Sonata - Falsely Attributed Works
- BWV Anh. 187 - Trio - Falsely Attributed Works
- BWV Anh. 188 - Sonata (Concerto) for 2 Claviers - Falsely Attributed Works
- BWV Anh. 189 - Concerto in A Minor - Falsely Attributed Works
- See also : Johann Sebastian Bach
Source: adapted by the editor from Wikipedia, the free encyclopedia under a copyleft GNU Free Documentation License (GFDL) from the article "List of compositions of Johann Sebastian Bach."
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